Monday, February 20, 2023

The Little Things - Musical Analysis #2

Introduction

Since before I was born, my dad has gone to considerable measures to instill a love for U2’s music in me. If you’re my age, you probably haven’t heard of them, as I have tried and failed for years to connect with my fellow peers over their brilliant lyrics and unique melodies. Perhaps U2 was recently brought to your attention through the movie Sing 2, released in 2021, or you’re familiar with some of their greatest hits, such as “With Or Without You” and “I Still Haven’t Found What I’m Looking For.” That said, I would like to jump ahead about thirty years from those songs and show you one of my favorites from their newest album: “The Little Things That Give You Away.” 



Lyrics


Bono, U2’s lead singer, claims that he ended up writing this song to himself, though it is spoken in the second person. “In all of these advice type songs, you are of course preaching what you need to hear. In that sense, they’re all written to the singer.” Like many other U2 songs, Bono haunts his listeners with discreet lyrics, as if he is making sure that the meaning behind each line is not so easily interpreted by the audience. 


“The night gave you a song

A light had been turned on 

You walked out in the world like you belonged there

As easy as a breeze

Each hard was yours to please

Is it only me who sees there’s something wrong there?” 


The song begins with the above verse, accompanied by slow, relaxing instrumentals and a beautiful bass line. There is a pre-chorus, a chorus, a second verse, and another chorus. The song then changes to an extremely long bridge, and ends without returning to any of the previous verses or chorus. It is almost as if the bridge is a whole other song, though it matches the other half of the song quite well. 


“Sometimes 

I can’t believe my existence

I see myself on a distance 

I can’t get back inside” 


Since I haven’t yet discussed how this song pertains to me, I would like to hone in on the above lyrics. There are often times I feel extremely detached from myself without explicable reason, and Bono’s words describe it well. I find it both haunting and comforting.


Range


“The Little Things That Give You Away” is sung with a higher range, therefore giving emphasis to words that hold both high and low notes. One of the lowest notes in the song is sung in the pre-chorus: “I can see you, you need to see me.” Its quiet melody is sad and almost heartbreaking to listen to.  The highest note in the song is the “you” in the first line of the chorus, highlighting the entire line (which is also the title of the song).


Chords


The song is not written in a minor key, but does bounce between two different minors, especially in the verses. The minor chords deepen the sadness in Bono’s voice and in his words, telling the audience to listen closely. The chorus consists of more major chords than minor chords, not asking to be heard because the verse probably grabbed the listener’s attention already. The bridge is also accompanied by mostly major chords, contributing to its strength and hopeful spirit. 


Rhythm & Dynamics


Rhythm is one of the most important elements to the emotion presented in this song. As was mentioned before, it begins slow and relaxed, with a dramatic drop in instrumentals for the first chorus to accentuate Bono’s voice. For the second chorus, the rhythm picks up and fills the words with more sound and a new pattern. It drops again for the beginning of the bridge, and slowly builds, faster and louder, until about four minutes into the song where it lands on a strong moment and almost drowns out the vocals. 


Harmonic Texture


Harmonic texture seems to fit nicely with the previous elements, because when rhythm and dynamics increase in this song, it seems that the quality of the harmonic texture increases with it. The more noise, the more patterns, the more harmony there is to fill the song and make it complete. The electric guitar provides an echo and haze that matches the vocals and the feeling they are trying to convey to the listener. Even the drums that fill the bridge contribute to the ethereal texture of the song as a whole. 


Conclusion


I don’t often love a song in its entirety, as there’s usually something I would add or take away or extend, but this might just be a perfect song. 




Sources


“U2 - The Little Things That Give You Away (Chords).” Ultimate Guitar, 9 Dec. 2017, tabs.ultimate-guitar.com/tab/u2/the-little-things-that-give-you-away-chords-2003477.

“How Scarlett Johansson Convinced U2 to Take Part in ‘Sing 2.’” Music News, 10 Dec. 2021, wror.com/2021/12/10/scarlett-johansson-u2-sing-2.

Kot, Greg. “U2 | Members, Songs, and Facts.” Encyclopedia Britannica, 12 Feb. 2023, www.britannica.com/topic/U2.

Songfacts. “The Little Things That Give You Away by U2 - Songfacts.” Songfacts, www.songfacts.com/facts/u2/the-little-things-that-give-you-away.

Saturday, February 11, 2023

I Loved You Then - Musical Analysis #1

Introduction

For this first musical analysis, I decided to choose a song that I recently discovered and fell in love with. “I Loved You Then (And I Love You Still)” is a tender, sentimental song written by an Australian band called Woodlock. The three band members made themselves known by busking on the streets and later buying a caravan to travel around in and tour Australia. They eventually produced their first EP, Lemons, in 2014 and have been gaining an audience ever since. 


From what I have heard of their music, Woodlock has mastered the ability to convey a feeling of both sadness and hope through their voices and instruments. “I Loved You Then (And I Love You Still)” is supposedly about the passing of a beloved dog, and though I could not find much about the song elsewhere, the accompanying music video seems to tell its story perfectly. 


Since I have three dogs of my own, I have inserted a picture of my lab below, which has a serenity about it that seems to accompany the song well. I have not yet lost a dog, but I find myself extremely sad to imagine life without them, a feeling Woodlock’s song depicts well. 



“I Loved You Then (And I Love You Still)”


Lyrics 


This song seems to be written from the perspective of a dog: 


You hear me out in the backyard

Trying to find my way back in your arms


The lyrics are simple and few, yet still powerful and placed together with such care. I’ve often found that a song with fewer words can leave a greater impact than that of a song with many words, and draws close attention to each phrase. This song contains three verses and a repeating half-verse, with some change in melody between each verse. 


Meter 


“I Loved You Then (And I Love You Still)” is written in ¾ time, with an emphasis on the first beat, followed by two lighter beats. I usually find waltzes to be relaxing, as they carry a smooth rhythm and remind me of a ballroom dance. It adds to the overall loveliness of the song and helps to establish a feeling of calm. 


Melody & Timbre


The melody and timbre of this song seems to me to be the most important elements when analyzing the song as a whole. It is sung with a mildly small range, and therefore does not surprise the listener with any extremely high or low note. The melody stays relatively calm, which is once again important for the theme of the song. I would describe the main vocalist’s timbre as smooth and clear, providing the audience with both melancholy and hope. 


Dynamics 


Lastly, the volume of the song is quite significant, as it would be in most songs. “I Loved You Then (And I Love You Still)” remains quiet, and almost holy, with an increase in volume after the third verse in an uplifting interlude. The intensity dies away again with the last two lines, and continually fades with the outro. Overall, the song’s dynamics seem to provide a clear beginning, middle, and end, rising in a steady slope and falling for an effective and sweet closing. 


Conclusion


As I mentioned before, I have yet to lose one of my dogs, but I still feel that I resonate with this song on a small scale. I love its endearing composition, and admire the writer’s ability to make something so beautiful and sad all at once. 




Sources

Wednesday, February 1, 2023

My Introduction: Explorations In Music

Hi everyone, 

(This is my first blog post for the Explorations in Music course; not to be confused with my previous posts from the Explorations in Art class). 

My name is Sophia Martin; I am seventeen years old and currently working on graduating high school with my Associate of Arts Degree. I originally come from Thorne Bay, a small town on Prince of Wales Island in Southeast Alaska. My family of six moved up to Palmer three and a half years ago to foster our cousins, and we’ve been here ever since. 


Below is a picture that my dad took on the island; it appeals to me through its sense of serenity and being lost on the open ocean. I do love Palmer, but I certainly miss the sea.



Music has always been a close friend of mine. I’ve been performing since I was seven, and though I seem to have lost my on-stage charisma that I had as a younger child, I haven’t yet let go of my passion for music. I play piano, guitar, and ukulele, and spend most of my free time writing songs. In fact, I would love to pursue songwriting, I’m just not quite sure how to make a career out of it. I am looking to record an album over the summer, so I suppose we’ll start there. 


Most of the music I listen to is rather soft and melancholy, with meaningful lyrics. A few song examples are ‘Big Black Car’ by Gregory Alan Isakov, or ‘The Little Things That Give You Away’ by U2. I posted one of my own songs, ‘When My Love Is Gone,’ on the comment assignment the other week, but since I’m feeling bold again, I’m linking it to this post as well. 


For the comments section on this post, I would like to know why you are taking Explorations In Music and what other classes are you taking this spring? 


Worship Music - Final Project

Introduction There is something so beautiful about the coming together of voices in a song. When we sing together, we are unified in such a ...